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Reviews by the Clown that All Other Critics Want to Strangle with a Black Turtleneck

Motherless Brooklyn, by Mr. Jonathan Lethem

Motherless Brooklyn Magnificent! Says I, loudly .mp3 (3.11 MB)
Mr. Jonathan Lethem
Vintage, 2000

http://www.jonathanlethem.com/
  Mr. Jonathan Lethem's Motherless Brooklyn is nominated for the best book Critical Mick read in 2005
 

 

I Have Never Enjoyed Being Cursed At This Much Before

If this link was clicked in hopes that a typical Critical Mick review would come banging off the wall, I'm sorry to disappoint you. Mr. Jonathan Lethem wrote Motherless Brooklyn with innovation enough for the both of us.

Yes, Mr. As in Mr. Sinatra. Mr. President. The reserved mark of deep respect.

The best novels are character studies, and Motherless Brooklyn excels. Over 336 pages, the novel tours the life of Lionel Essrog. The young orphan and three mates find a father figure in a rowdy, connected neighborhood tough named Frank Minna. Years later, the boys have grown into the Minna Men of Frank's unlicensed private detective agency. Then Lionel and Gilbert lose the car they're tailing. Frank gets knifed and dumped. Then joking, secretive Frank Minna passes away, whispering to Lionel a mysterious riddle. Damn! How tough guys can hurt.

What makes this tour unique is that it's told from the first-person perspective of a Tourette's syndrome sufferer. Our narrator is a man driven by compulsions, prone to cursing, touching, tapping. One compulsion is to tie everything to his condition, to describe his world in Tourette's terms. Shouting, counting, knocking. He also has a strange affinity to The Artist Formerly Known as Prince.

Mr. Jonathan Lethem correctly pronounces Prince's weird symbol name in the novel Motherless Brooklyn.  This novel is funny as shit, actually.  Should have mentioned that earlier.

Despite that, Lionel is one perceptive, insightful, and -yes- articulate human freakshow. He reveals how that glyph is pronounced. Man, does he nail it.

OK, enough of this sensitive hooey. Mr. Lethem writes crime at its best. Car chases, mob bosses, big guys pistol-whipping each other, beautiful dames, detectives with deep stubble and Styrofoam coffee cups. Who can Lionel trust? That question keeps the pages turning. Who killed Frank Minna? Can a barking, jerking cripple of a man uncover the truth? Can he get the girl? And who's this Bailey who's haunting the book?

Motherless Brooklyn.

Mr. Lethem matches Lawrence Block's skill at painting New York. You can taste the food, then feel indigestion's burn. Two hundred and eight years from now, if people want to know what it felt like to walk the boroughs in the 1990's, they'll pick up Motherless Brooklyn.

For the early 21st century, they'll pick up its sequel. I hope there will be a sequel. The characters are introduced with force enough to leap vividly across the years and carry a series.

Critical Mick says: Five Papaya Czar miniature hotdogs out of five. With mustard.

 


 

According to imdb.com, Edward Norton's long-delayed screen adaptation of Motherless Brooklyn is finally shooting. This is one flick that will either bomb or become classic. How can a film take you so far inside a character's head? Eddie's a talented chucklehead, though. The kid's got vision. I'll plunk down nine bucks to see if he makes Lionel Essrog's worldview come through.

 

Sequel! Sequel! Sequel! Eat Me Bailey!

And now for an important disclaimer from Critical Mick

Yo! This review and all content on the DFA Guide site are copyright 2005 Mick Halpin. All links to other sites and documents are copyright to whatever source wrote something cool enough for Mick to give it a referral. Try to claim them as your own work and bad karma will catch up with you, baby. Believe it.

Irate, huh? Managed to piss off another one? Direct your hatemail to mick @ mickhalpin dot com.


This Page Was Last Updated On 30 December, 2005.

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